Rhythmus Messy Cambio

Rhythmus Messy Cambio
Building K-102
Klybeckstrasse 141
CH – 4057 Basel
Switzerland

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Rhythmus Messy Cambio ist ein von Juice & Rispetta für die Saison 2022 / 2023 entwickeltes, aus dem Projekt Pilz Welle Lust hervorgegangenes Kunstwerk. Als exploratives Kunstunterfangen dockt Rhythmus Messy Cambio gleichzeitig an mehreren Stellen an – beispielsweise an künstlerischer Forschung, nahe der Technik- und Naturwissenschaften, an sound- und screenorientierter Kunst sowie an kollektiver und aktivistischer Kunstproduktion. Rhythmus Messy Cambio bringt Ausstellungen hervor, initiiert Workshops und Konferenzen, bietet Zeit und Raum für ephemeres Kunstschaffen und publiziert künstlerisch.

Rhythmus Messy Cambio wird kuratiert von Marcel Freymond, Johannes Willi und Olivier Rossel. Das Kunstwerk wird unterstützt von Pro Helvetia, der Christoph Merian Stiftung und Padel Basel.

Programm 2022 / 2023

OSOMOHorizontal Concert — Transportive music — Sunday 5.2.2023 — Doors 4 pm — Performance 5pm — Bar — Please bring your own lying mat, pillow, blanket, depending on your needs. Suitable for people above of the age of 12.

The music of OSOMO creates spaces of pause, retreat and contemplation. Moving away from the fast-paced outside world towards the inside world. OSOMO counters our hectic zeitgeist with an invitation to a journey. Conceived as «transportive music», it forms a sonic environment in which listeners can enter, move and stay in their own thoughts, feelings and physical sensations. It is a journey that leads to different places for each person. The OSOMO live sets, the Horizontal Concerts offer a musical and physical space for being, for lying down, for dreaming, for sleeping – from letting go to the most concentrated, deepest listening. OSOMO is music that embraces you, simultaneously carries you away, and offers an experience that is both mysterious and challenging: «What happens to us when we are touched by music – whether in our bodies or our minds – remains mysterious. I have always been in search of that moment when music can change the way you feel.» 

OSOMO is the solo project of musician Simon Baumann (drummer in the band of Stephan Eicher, collaborations with Colin Vallon, Mario Batkovic, Don Li and others). He will release his debut album Side Trips on the label Two Gentlemen on 5 May 2023. Baumann picks up on our hectic zeitgeist in the form of acoustic pulses – «My instrument is rhythm,» he says. Waves of sounds are arranged from one sequence to the next. The textures are mostly electronic, with interludes of trombone, vibraphone, old drums, and samples of speech. The waves articulate themselves in different dynamics: they advance, they flow back and forth, they interpenetrate. When they break, they are slow or fast, but always powerful. Sequences of melody alternate with resting spheres.

Leefwerk — Sat 12.11.2022 — Doors 7pm — Performance 8pm — Bar & Food

Leefwerk presents an artwork between theatrical play, artistic practice, activism and social work — Leefwerk tours Europe with the results of their artistic practice for immediate sale. Since liberal thinking determines cultural policy and thus undermines experimentation, they have thought to approach the matter of gaining fame in the artistic scene as a source of experimentation and since becoming an artist can also be an artistic project, this project has also become an artistic project. Therefore, they travel in a car that has been converted into a merchandising stall to sell their artistic results in an experimental way. With this converted vehicle, Leefwerk symbolically profiles itself as an uninvited artistic entity, raiding the established art scene and selling its body of work as cheaply as possible to the audience.

Deep End Movement — 1.9. – 4.9.2022

Exhibition, Paintings, Soundperformance. Mit Matthias Wyss (Berlin, Malerei), Hector M. Reis (Bienne, Live Ambient), Dj Nitrate (Umbo, Statement, [RONO2], Zürich) und DJ Iota (Bienne), DJ Sets. — Donnerstag, 1. September — 18h, Opening, mit Near Death Ambient Space (live) by Hector M. Reis. — Friday, 2. September, 10 – 18h, Exhibition Matthias Wyss, Paintings. — Samedi, 3. September 10 – 18h, Exhibition Matthias Wyss, Paintings, 22h late Soirée w/ Dj Nitrate und DJ Iota. — So. 4. September 10 – 18h, Exhibition Matthias Wyss, Paintings. Die Ausstellung findet im Rahmen der Kunsttage Basel statt.

Inside the Struggle — 5.9. – 1.10.2022

Residency and Exhibition. Mit Amélie Bodenmann, Ana Jikia, Benjamin Lenz, Benoit Schmidt, and Susi Hinz. Opening Exhibition, Samedi. 17. September 18h.

SNIPPET Festival – 9. 6. – 11.6.2022

[DE] – Beim SNIPPET Festival werden Features live performt. – Die Bezeichnung “Live-Feature” ist eine Weiterentwicklung des Hörfunk-Genres “Radio-Feature”. Dieses Genre etablierte sich in den 1950er Jahren aus Elementen des Hörspiels, der Dokumentation und der Reportage in den experimentellen Programmen europäischer Hörfunkanstalten. Als Alternative zu bestehenden diskursiven Formaten wie Podiumsdiskussionen wird Sound als zentrales Medium und als künstlerische Praxis erlebbar gemacht. Das Festival zelebriert eine offene Audiokultur, die gesellschaftliche Themen reflektiert und öffentlich verhandelt. Die Performances machen unterschiedliche Herangehensweisen, Wirkungsbereiche und Positionen erfahrbar und erschaffen somit einen sozialen Raum. Die Anwesenden verbindet der Akt des Aktiven Zuhörens, welcher sich zum empathischen Diskursbeitrag kultiviert.

[EN] – At the SNIPPET Festival, features will be performed live. – The term “live feature” is a further development of the genre “radio feature”. This genre established itself in the 1950s from elements of radio play, documentary and reportage in the experimental programs of European radio stations. At the SNIPPET Festival, features will be performed live. As an alternative to existing discursive formats such as panel discussions, sound is made tangible as a central medium and as an artistic practice. The festival celebrates an open audio culture that reflects and publicly negotiates social issues. The performances make it possible to experience different approaches, spheres of action and positions and thus create a social space. Those who are present are united by the act of active listening, which cultivates into an empathetic contribution to discourse.

Website: https://snippet.wtf/ – Programm: https://snippet.wtf/2022-2/ – Snippet Festival wird organisiert und kuratiert vom Verein Snippet, in Kollaboration mit Olivier Rossel / Rhythmus Messy Cambio.

Flat Errth – 14.06. (Opening 18H) – 19.06.2022

[DE] Eine Meta-Ausstellung und Zusammenarbeit von Scherben Art Space und Rhythmus Messy Cambio – Sophia Eisenhut, Felix Krapp-Raczek, Kira Scerbin und Max Eulitz wurden eingeladen Anzeigen in der jeweiligen Art Basel Ausgabe 2022 von Artforum, Monopol, Frieze, Mousse, Provence, Texte zur Kunst und Passe Avant als Werk zu veröffentlichen – physisch wird das Puzzle während der Art Basel vom 14.06 – 19.06 im Ausstellungsraum Rhythmus Messy Cambio erlebbar. Kuratiert von Lorenz Liebig, Marcel Freymond, Tarik Kentouche und Jeronim Horvat.

[EN] A meta-exhibition and collaboration of Scherben Art Space and Rhythmus Messy Cambio – Sophia Eisenhut, Felix Krapp-Raczek, Kira Scerbin and Max Eulitz were invited to publish ads in the respective Art Basel issues 2022 of Artforum, Monopol, Frieze, Mousse, Provence, Texte Zur Kunst and Passe Avant as a work – The puzzle can be experienced during Art Basel from 14.06 – 19.06 in the exhibition space Rhythmus Messy Cambio. Curated by Lorenz Liebig, Marcel Freymond, Tarik Kentouche and Jeronim Horvat.

Vernissage: 14.06 um 18:00 Uhr – Performance: 15.06 um, vor und nach 17 Uhr – Networking Event: 17.06 um 16:00 Uhr

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